This
semester, I’ve decided to focus my writing on call-out culture, the #MeToo
movement and associated topics. I feel like there’s a lot to cover on these
topics. It seems like every day, unfortunately, we hear of another public figure
– often associated with Hollywood or showbusiness – getting “called out” for
sexual misbehavior and racism. From some of the most prominent people in the
business like Harvey Weinstein and Les Moonves on down, creepy men are getting
exposed as predators or bigots.
I feel like
most people who are not super naïve have known or at least had an idea that
these powerful figures have been abusing that power, probably ever since the
Hollywood machine has been in play and of course even before that whenever
there’s a power dynamic in which a woman is in a lesser social or economic
position to a man. There’s a book called “Hollywood Babylon” that was published
in 1965 that, while full of factual inaccuracies and some downright
fabrications, highlights some of the seedy stories and rumors that have been a
part of the fabric of modern showbusiness from the beginning.
Now with
the reach of the internet and social media, thankfully the stories of people who
have been abused by politicians, celebrities and powerful business people are
able to be told. And the extent of call-out culture runs all the way down to “regular”
people who are not big stars. I often see things posted online warning people
to stay away from individuals because they have acted in a predatory or racist manner
in the past, with photos and personal information included in these posts.
For example,
when I was living in Santa Cruz and playing in a band there, stories and photos
began to circulate online regarding a band called the Highway Murderers. These
posts included screen grabs of band members’ Instagram accounts showing Nazi paraphernalia,
anti-Semitic memes, and fans of the band displaying swastika tattoos and
seig-heiling. In other words, a least some members of the band were obviously
into some racist shit in their personal lives, even if their lyrics were not
explicitly racist. Some people in the music scene, including the guitar player
of my band, called for a boycott of the band in posts online. A bunch of their
shows were canceled. This led to threats of violence from fans/members of the
Highway Murderers. Some fans showed up to a gig that my band was playing trying
to cause trouble but they were outnumbered and nothing really happened. And a
chance run in at a local music rehearsal studio between my band and the
Murderers themselves ended with some harsh words and threats thrown around but
thankfully no violence (they are big and scary dudes).
Now I’m
pretty sure this band is unable to get gigs anymore. Their reputation is ruined
in the music scene. But it amazes me that people are dumb enough to post things
like that and not expect to get pushback or criticism for it. And when they’re
caught they act like the victim when, in cases like this, they created the
problem themselves.
On the whole, I am really happy
that this culture exists and has become more prevalent. I think it’s a net
positive in the direction of making our culture more aware of issues of abuse
and bigotry and letting people know it’s OK to stand up against those who would
try to abuse their power or position. But I have a lot of questions about where
the movement is going, some potential abuses of the movement, and general
feelings about how some figures seem to get a pass and suffer few consequences
when called out.
Some have said that the sheer
number of accusations being brought forth nowadays has the potential to cause
fatigue and lessen the impact of those accusations. It’s kind of like President
Trump having some new scandal going on every day so that there’s no time to
process the last scandal and take him to task on it. I don’t know if I really
buy that, but I understand the argument.
The James Gunn controversy is
interesting to me as it has been reported that his “call-out” for posting
offensive and tasteless pedophilia jokes on Twitter 10 or so years ago came
from people displeased about his criticism of Trump. Now the “Guardians of the
Galaxy” director has been fired by Disney. Basically he was fired for making
bad, offensive jokes and I personally think this is an example of the #MeToo
movement and call-out culture gone too far.
The Gunn controversy is especially
weird when we examine the case of Woody Allen. While these is no real proof
that he molested his daughter, the story seems plausible and his
well-documented creepiness (for example marrying his adopted daughter Soon Yi) doesn’t
exactly make him seem like the most sexually well-adjusted person. But, since
he has a long history of critical and box-office success, he still makes
movies. He’s suffered little repercussions and indeed has released a couple of
movies since being accused of abuse. Why does he get to continue his career
while Gunn gets fired?
Another aspect to explore is the
idea of those being accused (and sometimes admitting fault) making their way
back to the spotlight after laying low for a while. Louis CK, the comic who was
accused of, and admitted to, masturbating in front of women against their will
on numerous occasions, recently returned to the stand-up stage after about a
six month break from public appearances. Sure, it was a low-key and unannounced
stand-up set, but he at least was allowed by the managers of the club to go
onstage. Is this too soon? Should he return at all? What’s the “sentence” for
those tried in the court of public opinion? Roseanne Barr was fired from her
super successful TV show recently for making racist tweets. I would bet that
she will be back soon.
Something else that could be tied
in to this whole discussion is the separation of art and artist. I personally
find it easy to do so in many cases. I’m a fan of rock and roll, and the history
of the genre is chock full of man behaving like real pieces of shit. John
Lennon supposedly beat his first wife. Led Zeppelin allegedly engaged in horrible,
degrading sexual antics with groupies. Rick James was actually convicted of sexual
and physical assault, and the details of his case are pretty disgusting. Yet I
can overlook this behavior and enjoy their music. Maybe it’s because their
heyday was in the past, and I wasn’t around to experience them being accused of
anything at the time. But even though I was a big fan of Louis CK’s comedy and
TV work, if he returns to the spotlight I don’t see myself rushing to view his
new material. Seeing the accusations/events unfold in real time has soured me
on him unlike the accusations toward older “classic rock” type people, or
director Roman Polanski who was convicted of statutory rape.
Anyway there’s a lot of complex
stuff going on with #MeToo and call-out culture, and new developments every
day. I’m going to have plenty to chew on here.
Excellent. There's an invisibilia podcast (do you know this?) about Call-Out culture in the hardcore scene. Look it up. Additionally, while discussing this, it's important to talk about the idea of conflation. Hashtags for a topic tend to make all sins seem equal, when in fact that might not be the case. For example, Weinstein's actions as reported are nowhere near the same as what was reported about Aziz Ansari, but the backlash might look at them the same way. This will be cool. Keep a very very very open mind.
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